Welcome to the year 2252—and congratulations! You’re now a personality construct. We know that can be a daunting stage of personal development, especially if you don’t remember making this life-changing decision. But we’re here to help….
Helen is waking to a dark new reality—one that she’s certain she didn’t choose. In this borrowed existence, she finds an unexpected guide in Judy, a geisha-faced virgin who’s on a mission of her own. Together, the two of them begin a dangerous run through dozens of imagined worlds in an attempt to trap a psychopath haunting the shadowed areas of virtual space—a killer who brutally murdered an earlier version of Helen and who plans to kill again. Meanwhile, Justinian is investigating a peculiar rash of AI suicides on far-off planets—and finds that not only is there more to these “deaths” than he thought, but that they may be linked to his wife Anya’s mysterious coma.
In a future where AIs have taken over human life and the Environment Agency runs everything for our own good, the fact that we can live on after physical death as sentient digital beings should have been a good thing. Instead, as Helen and Justinian are about to discover, it just means there are more ways to die.
Description:
Welcome to the year 2252—and congratulations! You’re now a personality construct. We know that can be a daunting stage of personal development, especially if you don’t remember making this life-changing decision. But we’re here to help….
Helen is waking to a dark new reality—one that she’s certain she didn’t choose. In this borrowed existence, she finds an unexpected guide in Judy, a geisha-faced virgin who’s on a mission of her own. Together, the two of them begin a dangerous run through dozens of imagined worlds in an attempt to trap a psychopath haunting the shadowed areas of virtual space—a killer who brutally murdered an earlier version of Helen and who plans to kill again. Meanwhile, Justinian is investigating a peculiar rash of AI suicides on far-off planets—and finds that not only is there more to these “deaths” than he thought, but that they may be linked to his wife Anya’s mysterious coma.
In a future where AIs have taken over human life and the Environment Agency runs everything for our own good, the fact that we can live on after physical death as sentient digital beings should have been a good thing. Instead, as Helen and Justinian are about to discover, it just means there are more ways to die.
**
From Publishers Weekly
In this uneven sequel to Ballantyne's Recursion, humans can live on as digital clones or "personality constructs" of themselves, leading multiple lives in the numerous matrices of 23rd-century cyberspace and enjoying equal rights with their physical compatriots. Like the first series entry, this novelinterweaves several story lines concerning the dubious existence of an omnipotent artificial intelligence known as the Watcher, who controls the Environmental Agency, the organization in charge of all aspects of the digital and physical worlds. With the help of a geisha-garbed agent (and her numerous digital clones), a woman seeks asylum from a cyberspace killer determined to repeatedly torture and murder her digital incarnations. Meanwhile, on a remote planet in the physical world, a social worker investigates a series of artificial intelligence suicides that may hold apocalyptic implications. Though Ballantyne writes with engaging authority about high-concept technological novelties, the three protagonists often come across as self-parodies, spouting clumsy and predictable exposition that grinds the tale to a halt during what would otherwise have been memorable climaxes. This is a shame, because the inventive plot, which interweaves such staples of the genre as dilemmas of free will, memory and identity, contains enough mind-bending twists and double-crosses to satisfy most cyberpunk fans. (Jan.)
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From Booklist
After rescue from a trap set at work, Helen is displaced in time. She is now a personality construct, or PC. Her caseworker, Judy, tells her that PCs have the same rights as atomic humans but that for the past 70 years, Helen has been running illegally on the Private Network for the pleasure of customers playing powergames. Helen vows to help Judy hunt down the head of the Private Network. Meanwhile, Justinian, a therapist for troubled PCs, is assigned to an extragalactic world where a several AIs have committed suicide for no apparent reason. It's a strange world of Schroedinger boxes, which become fixed in location only when someone looks at them, and unbreakable black velvet bands, which appear out of nowhere and shrink away to nothing. As Helen and Judy discover Private Network secrets, and Justinian slowly unravels the ever-stranger AI suicides mystery, their stories converge upon a terrifying conspiracy to hide the truth of an outer universe. Ballantyne's pacing and world-building skills make this all engaging and a bit creepy. Regina Schroeder
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