New Arcadia is a city-sized oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd.
Hwa is of the few people in her community (which constitutes the whole rig) to forgo bio-engineered enhancements. As such, she's the last truly organic person left on the rig—making her doubly an outsider, as well as a neglected daughter and bodyguard extraordinaire. Still, her expertise in the arts of self-defense and her record as a fighter mean that her services are yet in high demand. When the youngest Lynch needs training and protection, the family turns to Hwa. But can even she protect against increasingly intense death threats seemingly coming from another timeline?
Meanwhile, a series of interconnected murders threatens the city's stability and heightens the unease of a rig turning over. All signs point to a nearly invisible serial killer, but all of the murders seem to lead right back to Hwa's front door. Company Town has never been the safest place to be—but now, the danger is personal.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
**
Review
"A thrilling near-future noir mystery....A fascinating book from a writer with great vision." ―Charlaine Harris, author of the Sookie Stackhouse Novels series
“Smart, weird dystopia.” ―Margaret Atwood
"The skill with which Ashby introduces her various SF elements is worthy of the best Heinlein.... Company Town never falters in its pacing. It's a terrific ride." ―Locus
"This is brave, bold, crazy storytelling at the edge and doesn't read like anything else I've seen up or down the pike." ―Chuck Wendig, New York Times bestselling author of Aftermath
"A brilliant and chilling look at our post-oil future. I haven't been this hooked by an SF novel for ages." ―Charles Stross, author of the Laundry Files series
"Loved Company Town, Madeline Ashby’s wonderfully imaginative new sci-fi mystery with a fascinating female protagonist." ―Feminist Frequency
"The world is an updated version of Raymond Chandler's, with gray morals and broken characters, and Hwa's internal monologue has just the right balance of introspection and wit...[a] very solid page-turner." ―Publishers Weekly
"A fascinating mix of detective noir and near-future SF with cinematic world building and a broken, but resilient, unquestionably badass heroine." ―Booklist "Ashby's action scenes come thick and fast...the ideas, setting and relationships that make the story really worth reading." ―New Zealand Herald
EditCopy to TI
"The skill with which Ashby introduces her various SF elements is worthy of the best Heinlein....Company Town never falters in its pacing. It's a terrific ride." --Locus
"I'm an immense fan of Ashby's work...It is often profound, and it is never boring." ―Cory Doctorow, BoingBoing
About the Author
MADELINE ASHBY is a science fiction writer, strategic foresight consultant, anime fan, and expat. Her debut series about killer robots included vN and the sequel, iD. Her essays and criticism have appeared at BoingBoing, io9.com, WorldChanging, Creators Project, Arcfinity, and Tor.com. Since late 2014, she has been a regular columnist for the Ottawa Citizen.
Description:
New Arcadia is a city-sized oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd.
Hwa is of the few people in her community (which constitutes the whole rig) to forgo bio-engineered enhancements. As such, she's the last truly organic person left on the rig—making her doubly an outsider, as well as a neglected daughter and bodyguard extraordinaire. Still, her expertise in the arts of self-defense and her record as a fighter mean that her services are yet in high demand. When the youngest Lynch needs training and protection, the family turns to Hwa. But can even she protect against increasingly intense death threats seemingly coming from another timeline?
Meanwhile, a series of interconnected murders threatens the city's stability and heightens the unease of a rig turning over. All signs point to a nearly invisible serial killer, but all of the murders seem to lead right back to Hwa's front door. Company Town has never been the safest place to be—but now, the danger is personal.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
**
Review
"A thrilling near-future noir mystery....A fascinating book from a writer with great vision." ―Charlaine Harris, author of the Sookie Stackhouse Novels series
“Smart, weird dystopia.” ―Margaret Atwood
"The skill with which Ashby introduces her various SF elements is worthy of the best Heinlein.... Company Town never falters in its pacing. It's a terrific ride." ―Locus
"This is brave, bold, crazy storytelling at the edge and doesn't read like anything else I've seen up or down the pike." ―Chuck Wendig, New York Times bestselling author of Aftermath
"A brilliant and chilling look at our post-oil future. I haven't been this hooked by an SF novel for ages." ―Charles Stross, author of the Laundry Files series
"Loved Company Town, Madeline Ashby’s wonderfully imaginative new sci-fi mystery with a fascinating female protagonist." ―Feminist Frequency
"The world is an updated version of Raymond Chandler's, with gray morals and broken characters, and Hwa's internal monologue has just the right balance of introspection and wit...[a] very solid page-turner." ―Publishers Weekly
"A fascinating mix of detective noir and near-future SF with cinematic world building and a broken, but resilient, unquestionably badass heroine." ―Booklist
"Ashby's action scenes come thick and fast...the ideas, setting and relationships that make the story really worth reading." ―New Zealand Herald
EditCopy to TI
"The skill with which Ashby introduces her various SF elements is worthy of the best Heinlein....Company Town never falters in its pacing. It's a terrific ride." --Locus
"I'm an immense fan of Ashby's work...It is often profound, and it is never boring." ―Cory Doctorow, BoingBoing
About the Author
MADELINE ASHBY is a science fiction writer, strategic foresight consultant, anime fan, and expat. Her debut series about killer robots included vN and the sequel, iD. Her essays and criticism have appeared at BoingBoing, io9.com, WorldChanging, Creators Project, Arcfinity, and Tor.com. Since late 2014, she has been a regular columnist for the Ottawa Citizen.