Description:

Long hailed as the grand master of adventure fiction, Clive Cussler has continued to astound with the intricate plotting and astonishing set pieces of his novels. Now, with a surprising twist, he gives us his most audacious work yet.

In the final pages of Valhalla Rising, Dirk Pitt discovered, to his shock, that he had two grown children he had never known-twenty-three-year-old fraternal twins born to a woman he thought had died in an underwater earthquake. Both have inherited his love of the sea: the girl, Summer, is a marine biologist; the boy, himself named Dirk, is a marine engineer. And now they are about to help their father in the adventure of a lifetime.

There is a brown tide infesting the ocean off the shore of Nicaragua. The twins are working in a NUMA(r) underwater enclosure, trying to determine its origin, when two startling things happen: Summer discovers an artifact, something strange and beautiful and ancient; and the worst storm in years boils up out of the sky, heading straight not only for them but also for a luxurious floating resort hotel square in its path.

The peril for everybody concerned is incalculable, and, desperately, Pitt, Al Giordino, and the rest of the NUMA(r) crew rush to the rescue, but what they find in the storm's wake makes the furies of nature pale in comparison. For there is an all-too-human evil at work in that part of the world, and the brown tide is only a by-product of its plan. Soon, its work will be complete-and the world will be a very different place.

Though if Summer's discovery is to be believed, the world is already a very different place...

From Publishers Weekly

Adventure tales for boys (and girls) of all ages have no more vigorous champion today than Cussler, who has kept the spirit of Joe and Frank Hardy alive, albeit on a grander scale, in numerous bestsellers. This 17th Dirk Pitt extravaganza finds Cussler (literally, as he makes a cameo at book's end) and his entourage of paint-by-number characters in fine fettle, foiling a dastardly plot by outlandish villains to launch a new ice age, and at the same time demonstrating that the Achaeans were not Greeks but Celts, and that Troy was a town in what's now England. After a prelude set during the Trojan War, the novel proper starts with a roar, as a monstrous hurricane sweeps toward the Caribbean, endangering not only Pitt's twin son and daughter, engaged in undersea exploration, but also the Ocean Wanderer, a luxury floating hotel owned by a mysterious billionaire known as Specter. In a manly manner, Pitt and his longtime sidekick, Al Giordino, both of NUMA (the National Underwater and Marine Agency), save the hotel and Pitt's grown kids, but not before those kids discover a trove of underwater relics that indicate that the Celts, aka Achaeans, reached the New World millennia ago. And the Celts are still here, in the guise of a female Druidic cult linked to Specter and aiming for world domination by altering ocean currents via a vast underground mechanism in Nicaragua, which will plunge the earth into cold, then selling a new type of cheap fuel cell to supply needed heat. The action never flags, the heroics never halt and the bodies pile up as Pitt and Co. take on the villains; some big changes in Pitt's personal life close the book.
Copyright 2003 Reed Business Information, Inc.

From Booklist

The latest Dirk Pitt thriller, like its 16 predecessors, is ready made for the big screen. (Let's hope it makes a better movie than 1980's Raise the Titanic, also based on a Pitt adventure, which gives you some idea of how long the series has been around.) A hurricane threatens an undersea resort hotel; meanwhile, Dirk Pitt's twin offspring are trapped at the bottom of the ocean in Pisces, an underwater laboratory. Oh, and Dirk himself swoops in to rescue the hotel, and its guests--but what about his children? Cussler has written a lot of seabound thrillers, and he clearly knows how to put one together to get maximum excitement from minimal material. Everything is done in shorthand, from the disaster-movie-plot setup to the characters and dialogue. There's the evil-named Specter, the man behind the hotel, "with a heart of cold stone." There are the twins, whose dialogue sounds like it was lifted from a Hardy Boys novel ("I want to take a closer look inside the cavern where I found the urn." "Can you find it in the dark?" "Like a fox to its lair"). In a nutshell, this novel offers precisely what readers have come to expect from a Dirk Pitt adventure: danger, heroics, villains, heroes. David Pitt
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