This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
**
Amazon.com Review
Though Jane Austen was writing at a time when Gothic potboilers such as Ann Ward Radcliffe's The Mysteries of Udolpho and Horace Walpole's The Castle of Otranto were all the rage, she never got carried away by romance in her own novels. In Austen's ordered world, the passions that ruled Gothic fiction would be horridly out of place; marriage was, first and foremost, a contract, the bedrock of polite society. Certain rules applied to who was eligible and who was not, how one courted and married and what one expected afterwards. To flout these rules was to tear at the basic fabric of society, and the consequences could be terrible. Each of the six novels she completed in her lifetime are, in effect, comic cautionary tales that end happily for those characters who play by the rules and badly for those who don't. In Mansfield Park, for example, Austen gives us Fanny Price, a poor young woman who has grown up in her wealthy relatives' household without ever being accepted as an equal. The only one who has truly been kind to Fanny is Edmund Bertram, the younger of the family's two sons.
Into this Cinderella existence comes Henry Crawford and his sister, Mary, who are visiting relatives in the neighborhood. Soon Mansfield Park is given over to all kinds of gaiety, including a daring interlude spent dabbling in theatricals. Young Edmund is smitten with Mary, and Henry Crawford woos Fanny. Yet these two charming, gifted, and attractive siblings gradually reveal themselves to be lacking in one essential Austenian quality: principle. Without good principles to temper passion, the results can be disastrous, and indeed, Mansfield Park is rife with adultery, betrayal, social ruin, and ruptured friendships. But this is a comedy, after all, so there is also a requisite happy ending and plenty of Austen's patented gentle satire along the way. Describing the switch in Edmund's affections from Mary to Fanny, she writes: "I purposely abstain from dates on this occasion, that everyone may be at liberty to fix their own, aware that the cure of unconquerable passions, and the transfer of unchanging attachments, must vary much as to time in different people." What does not vary is the pleasure with which new generations come to Jane Austen. --Alix Wilber
From School Library Journal
Grade 9 Up-Jane Austen paints some witty and perceptive studies of character.
Copyright 1998 Reed Business Information, Inc.
Lady Susan is a short epistolary novel by Jane Austen, possibly written in 1794 but not published until 1871. This epistolary novel, an early complete work that the author never submitted for publication, describes the schemes of the main character—the widowed Lady Susan—as she seeks a new husband for herself and one for her daughter. Although the theme, together with the focus on character study and moral issues, is close to Austen's published work (Sense and Sensibility was also originally written in the epistolary form), its outlook is very different, and the heroine has few parallels in 19th-century literature. Lady Susan is a selfish, unscrupulous and scheming woman, highly attractive to men, who tries to trap the best possible husband while maintaining a relationship with a married man. She subverts all the standards of the romantic novel: she has an active role, she is not only beautiful but intelligent and witty, and her suitors are significantly younger than she is (in contrast with Sense and Sensibility and Emma, which feature marriages by their female protagonists to men who are 16 years older). Although the ending includes a traditional reward for morality, Lady Susan herself is treated more leniently than the adulteress in Mansfield Park, who is severely punished.
Description:
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
**
Amazon.com Review
Though Jane Austen was writing at a time when Gothic potboilers such as Ann Ward Radcliffe's The Mysteries of Udolpho and Horace Walpole's The Castle of Otranto were all the rage, she never got carried away by romance in her own novels. In Austen's ordered world, the passions that ruled Gothic fiction would be horridly out of place; marriage was, first and foremost, a contract, the bedrock of polite society. Certain rules applied to who was eligible and who was not, how one courted and married and what one expected afterwards. To flout these rules was to tear at the basic fabric of society, and the consequences could be terrible. Each of the six novels she completed in her lifetime are, in effect, comic cautionary tales that end happily for those characters who play by the rules and badly for those who don't. In Mansfield Park, for example, Austen gives us Fanny Price, a poor young woman who has grown up in her wealthy relatives' household without ever being accepted as an equal. The only one who has truly been kind to Fanny is Edmund Bertram, the younger of the family's two sons.
Into this Cinderella existence comes Henry Crawford and his sister, Mary, who are visiting relatives in the neighborhood. Soon Mansfield Park is given over to all kinds of gaiety, including a daring interlude spent dabbling in theatricals. Young Edmund is smitten with Mary, and Henry Crawford woos Fanny. Yet these two charming, gifted, and attractive siblings gradually reveal themselves to be lacking in one essential Austenian quality: principle. Without good principles to temper passion, the results can be disastrous, and indeed, Mansfield Park is rife with adultery, betrayal, social ruin, and ruptured friendships. But this is a comedy, after all, so there is also a requisite happy ending and plenty of Austen's patented gentle satire along the way. Describing the switch in Edmund's affections from Mary to Fanny, she writes: "I purposely abstain from dates on this occasion, that everyone may be at liberty to fix their own, aware that the cure of unconquerable passions, and the transfer of unchanging attachments, must vary much as to time in different people." What does not vary is the pleasure with which new generations come to Jane Austen. --Alix Wilber
From School Library Journal
Grade 9 Up-Jane Austen paints some witty and perceptive studies of character.
Copyright 1998 Reed Business Information, Inc.
Lady Susan is a short epistolary novel by Jane Austen, possibly written in 1794 but not published until 1871. This epistolary novel, an early complete work that the author never submitted for publication, describes the schemes of the main character—the widowed Lady Susan—as she seeks a new husband for herself and one for her daughter. Although the theme, together with the focus on character study and moral issues, is close to Austen's published work (Sense and Sensibility was also originally written in the epistolary form), its outlook is very different, and the heroine has few parallels in 19th-century literature. Lady Susan is a selfish, unscrupulous and scheming woman, highly attractive to men, who tries to trap the best possible husband while maintaining a relationship with a married man. She subverts all the standards of the romantic novel: she has an active role, she is not only beautiful but intelligent and witty, and her suitors are significantly younger than she is (in contrast with Sense and Sensibility and Emma, which feature marriages by their female protagonists to men who are 16 years older). Although the ending includes a traditional reward for morality, Lady Susan herself is treated more leniently than the adulteress in Mansfield Park, who is severely punished.
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