Pursued by the police, a desperate man fights to stay free -- and stay alive.
It's raining hard when the man leaps off the train. He lands safely and creeps into town, praying he will find someplace to hide. It's nearly daylight, and the police are not far behind. He breaks into an unoccupied seaside cottage, and is overjoyed to find coffee, whiskey, and cigarettes. But before the fugitive can relax, the doorknob rattles. The police are at the door.
Russell Foley, third mate on an oil tanker, is not a cop killer. But the night before he got into a fight with a police detective, and a few hours later the cop was found stabbed to death. Unable to explain himself, he bolts, hoping to evade the police and somehow find the real killer. But for a man who cannot stop running, justice can be a hard thing to find.
Review
“[Williams] is just about as good as they come.” — The New York Times “One of the neglected hardboiled geniuses . . . his novels were perfect little gems.” —Joe R. Lansdale, author of Savage Season “Relying on wit, humor and ingenious plotting, Williams's characters constantly attempt to outwit the system.” —Woody Haut, author of Pulp Culture
About the Author
Charles Williams (1909–1975) was one of the preeminent authors of American crime fiction. Born in Texas, he dropped out of high school to enlist in the US Merchant Marine, serving for ten years before leaving to work in the electronics industry. At the end of World War II, Williams began writing fiction while living in San Francisco. The success of his backwoods noir Hill Girl (1951) allowed him to quit his job and write fulltime. Williams’s clean and somewhat casual narrative style distinguishes his novels—which range from hard-boiled, small-town noir to suspense thrillers set at sea and in the Deep South. Although originally published by pulp fiction houses, his work won great critical acclaim, with Hell Hath No Fury (1953) becoming the first paperback original to be reviewed by legendary New York Times critic Anthony Boucher. Many of his novels were adapted for the screen, such as Dead Calm (published in 1963) and Don’t Just Stand There! (published in 1966), for which Williams wrote the screenplay. Williams died in California in 1975.
Description:
Pursued by the police, a desperate man fights to stay free -- and stay alive.
It's raining hard when the man leaps off the train. He lands safely and creeps into town, praying he will find someplace to hide. It's nearly daylight, and the police are not far behind. He breaks into an unoccupied seaside cottage, and is overjoyed to find coffee, whiskey, and cigarettes. But before the fugitive can relax, the doorknob rattles. The police are at the door.
Russell Foley, third mate on an oil tanker, is not a cop killer. But the night before he got into a fight with a police detective, and a few hours later the cop was found stabbed to death. Unable to explain himself, he bolts, hoping to evade the police and somehow find the real killer. But for a man who cannot stop running, justice can be a hard thing to find.
Review
“[Williams] is just about as good as they come.” — The New York Times “One of the neglected hardboiled geniuses . . . his novels were perfect little gems.” —Joe R. Lansdale, author of Savage Season “Relying on wit, humor and ingenious plotting, Williams's characters constantly attempt to outwit the system.” —Woody Haut, author of Pulp Culture
About the Author
Charles Williams (1909–1975) was one of the preeminent authors of American crime fiction. Born in Texas, he dropped out of high school to enlist in the US Merchant Marine, serving for ten years before leaving to work in the electronics industry. At the end of World War II, Williams began writing fiction while living in San Francisco. The success of his backwoods noir Hill Girl (1951) allowed him to quit his job and write fulltime. Williams’s clean and somewhat casual narrative style distinguishes his novels—which range from hard-boiled, small-town noir to suspense thrillers set at sea and in the Deep South. Although originally published by pulp fiction houses, his work won great critical acclaim, with Hell Hath No Fury (1953) becoming the first paperback original to be reviewed by legendary New York Times critic Anthony Boucher. Many of his novels were adapted for the screen, such as Dead Calm (published in 1963) and Don’t Just Stand There! (published in 1966), for which Williams wrote the screenplay. Williams died in California in 1975.