NATIONAL BESTSELLER • From the author of The River : In this "end-of-the-world novel more like a rapturous beginning" ( San Francisco Chronicle), Hig somehow survived the flu pandemic that killed everyone he knows. His gripping story is "an ode to friendship between two men...the strong bond between a human and a dog, and a reminder of what is worth living for" ( Minneapolis Star-Tribune).
Hig's wife is gone, his friends are dead, and he lives in the hangar of a small abandoned airport with his dog, Jasper, and a mercurial, gun-toting misanthrope named Bangley.
But when a random transmission beams through the radio of his 1956 Cessna, the voice ignites a hope deep inside him that a better life exists outside their tightly controlled perimeter. Risking everything, he flies past his point of no return and follows its static-broken trail, only to find something that is both better and worse than anything he could ever hope for.
Look for Peter Heller's new novel, The Last Ranger , coming soon!
Amazon.com Review
Amazon Best Books of the Month, August 2012: Adventure writer Peter Heller's The Dog Stars is a first novel set in Colorado after a superflu has culled most of humanity. A man named Hig lives in a former airport community--McMansions built along the edge of a runway--which he shares with his 1956 Cessna, his dog, and a slightly untrustworthy survivalist. Hig spends his days flying the perimeter, looking out for intruders and thinking about the things he's lost: his deceased wife, the nearly extinct trout he loved to fish. When a distant beacon sparks in him the realization that something better might be out there, it's only a matter of time before he goes searching. Poetic, thoughtful, and transformative, this novel is a rare combination of literary and highly readable. -- Chris Schluep
Amazon Exclusive: Author Peter Heller on the Star of The Dog Stars
The inspiration for Jasper, a Blue Heeler mix, who is an integral part of this novel.
Our Hero, Hig, lives at a little country airstrip which he shares with his beloved blue heeler Jasper, and a mean gun nut named Bangley. It's nine years after a super-flu has killed 99.7% of the people on the planet. Hig sleeps out under the open sky at night with Jasper. He does it because he loves to see the stars, and because it's safer: if marauders come he won't be trapped in one of the nearby houses.
He used to have a book of the stars, but now he doesn't, so when he's lying out at night he makes up constellations. Mostly they are animals, and he makes one for his best friend Jasper. The Dog Stars. It's Hig's way of reinventing the lost world, and keeping in touch with the things he loves.
Jasper, to me, is the star of the book. He is fiercely loyal, and he gives Hig something to live for when there is not much else to hold on to.
Review
A San Francisco Chronicle and Atlantic Monthly Best Book of the Year
“Extraordinary. . . . One of those books that makes you happy for literature.” —Junot Díaz, The Wall Street Journal
“This end-of-the-world novel [is] more like a rapturous beginning. . . . Remarkable.” — San Francisco Chronicle
“For all those who thought Cormac McCarthy’s The Road the last word on the post-apocalyptic world—think again. . . . Make time and space for this savage, tender, brilliant book.” —Glen Duncan, author of The Last Werewolf
“Heart-wrenching and richly written. . . . The Dog Stars is a love story, but not just in the typical sense. It’s an ode to friendship between two men, a story of the strong bond between a human and a dog, and a reminder of what is worth living for.” — Minneapolis Star-Tribune
“A dreamy, postapocalyptic love letter to things of beauty, big and small.” –Gillian Flynn, author of Gone Girl
"Heartbreaking" — The Seattle Times
“A brilliant success.” — The New Yorker
“Beautifully written and morally challenging” – The Atlantic Monthly
“A book that rests easily on shelves with Dean Koontz, Jack London or Hemingway." — The Missourian
"Dark, poetic, and funny." —Jennifer Reese, NPR
“Terrific. . . . Recalling the bleakness of Cormac McCarthy and the trout-praising beauty of David James Duncan, The Dog Stars makes a compelling case that the wild world will survive the apocalypse just fine; it’s the humans who will have the heavy lifting.” — Outside
“A post-apocalyptic adventure novel with the soul of haiku.” — The Columbus Dispatch
“An elegy for a lost world turns suddenly into a paean to new possibilities. In The Dog Stars , Peter Heller serves up an insightful account of physical, mental, and spiritual survival unfolded in dramatic and often lyrical prose.” — The Boston Globe
“Take the sensibility of Hemingway. Or James Dickey. Place it in a world where a flu mutation has wiped out ninety-nine percent of the population. Add in a heartbroken man with a fishing rod, some guns, a small plane. Don’t forget the dog. Now imagine this man retains more hope than might be wise in such a battered and brutal time. More trust. More hunger for love—more capacity for it, too. That’s what Peter Heller has given us in his beautifully written first novel.” —Scott Smith, author of A Simple Plan and The Ruins
“With its evocative descriptions of hunting, fishing, and flying, [ The Dog Stars ], perhaps the world’s most poetic survival guide, reads as if Billy Collins had novelized one of George Romero’s zombie flicks.” — Publishers Weekly (starred)
“ The Dog Stars can feel less like a 21st-century apocalypse and more like a 19th-century frontier narrative (albeit one in which many, many species have become extinct). There are echoes of Grizzly Adams or Jeremiah Johnson in scenes where Heller lingers on the details of how the water in a flowing stream changes color as the sun moves across the sky.” — The Dallas Morning News
“Full of action and hope…. One you’ll not soon forget.” — The Oklahoman
“A heavenly book, a stellar achievement by a debut novelist that manages to combine sparkling prose with truly memorable, shining, characters.” — The New York Journal of Books
“Gruff, tormented and inspirational, Heller has the astonishing ability to make you laugh, cringe and feel ridiculously vulnerable throughout the novel that will have you rereading certain passages with a hard lump in the pit of your stomach. One of the most powerful reads in years.” — Playboy
“ The Dog Stars is a wholly compelling and deeply engaging debut.” —Pam Houston, author of Contents May Have Shifted
“Beautiful, haunting and hopeful. . . . Makes your breath catch and your heart ache.” — Aspen Daily News
“At times funny, at times thrilling, at times simply heartbreaking and always rich with a love of nature, The Dog Stars finds a peculiar poetry in deciding that there’s really no such thing as the end of the world—just a series of decisions about how we live in whatever world we’ve got.” — Salt Lake City Weekly
“What separates Heller’s book from other End of Days stories is that it doesn’t rely on the thematic fail-safes to tell the story— The Dog Stars is quite simply the story of what it’s like to be alonet.” — The Stranger
“Proves a truth we know from our everyday nonfictional lives: Even when it seems like all the humans in the world are only out for themselves, there are always those few who prove you absolutely wrong—in the most surprising of ways.” —Oprah.com
“Heller has created a heartbreakingly moving love story. . . . It’s an ode to what we’ve lost so far, and how we risk losing everything.” — Cincinnati City Beat
“A stunning, hope-riddled end-of-the-world story. . . . Bound to become a classic.” — Flavorwire
“Heller’s writing gives you a heartbreaking jolt, like a sudden wakening from a dream.” — The Seattle Times
“Heller is a masterful storyteller and The Dog Stars is a beautiful tribute to the resilience of nature and the relentless human drive to find meaning and deep connections with life and the living.” —Julianna Baggott, author of Pure
“Terrific . . . With echoes of Moby Dick, The Dog Stars . . . brings Melville’s broad, contemplative exploration of good and evil to his story.” — Shelf Awareness
“Heller’s surprising and irresistible blend of suspense, romance, social insight, and humor creates a cunning form of cognitive dissonance neatly pegged by Hig as an ‘apocalyptic parody of Norman Rockwell’—a novel, that is, of spiky pleasure and signal resonance.” — Booklist (starred)
From AudioFile
Review
“Leave it to Peter Heller to imagine a post-apocalyptic world that contains as much loveliness as it does devastation. His likable hero, Hig, flies around what was once Colorado in his 1956 Cessna, chasing all the same things we chase in these pre-annihilation days: love, friendship, the solace of the natural world, the chance to perform some small kindness, and a good dog for a co-pilot. The Dog Stars is a wholly compelling and deeply engaging debut.” —Pam Houston, author of Contents May Have Shifted
“Take the sensibility of Hemingway. Or James Dickey. Place it in a world where a flu mutation has wiped out ninety-nine percent of the population. Add in a heartbroken man with a fishing rod, some guns, a small plane. Don't forget the dog. Now imagine this man retains more hope than might be wise in such a battered and brutal time. More trust. More hunger for love—more capacity for it, too. That's what Peter Heller has given us in his beautifully written first novel. The Dog Stars is a gripping tale of one man's fight for survival against impossibly long odds. A man who has lost nearly everything but his soul. And what's so moving about Heller's book is that he shows us how sometimes a big soul is the only thing a man needs: the keystone, the center pillar, the hunk of masonry upon which all else will rise or fall.” —Scott Smith, author of A Simple Plan and The Ruins
“Heller is a masterful storyteller and The Dog Stars is a beautiful tribute to the resilience of nature and the relentless human drive to find meaning and deep connections with life and the living. In this chillingly realistic post-apocalyptic setting, readers will root for Heller's characters and be moved by their toughness as well as their tenderness.” —Julianna Baggott, author of Pure
“ The Dog Stars is a giant of a novel that goes about its profound business with what looks alarmingly like ease. For all those who thought Cormac McCarthy's The Road the last word on the post-apocalyptic world—think again. Peter Heller has dark and glittering news from the future, and delivers it in prose that stops you like a wolf in the snow. Make time and space for this savage, tender, brilliant book.” —Glen Duncan, author of The Last Werewolf and Talulla Rising --טקסט זה מתייחס למהדורת kindle_edition חלופית.
About the Author
PETER HELLER is the best-selling author of three novels, including The Painter and Celine. He holds an MFA from the Iowa Writers' Workshop in both fiction and poetry. An award-winning adventure writer and a longtime contributor to NPR, Heller is a contributing editor at Outside magazine, Men's Journal , and National Geographic Adventure , and a regular contributor to Bloomberg Businessweek. He is also the author of several nonfiction books, including Kook,The Whale Warriors , and Hell or High Water: Surviving Tibet's Tsangpo River. He lives in Denver, Colorado.
I keep the Beast running, I keep the 100 low lead on tap, I foresee attacks. I am young enough, I am old enough. I used to love to fish for trout more than almost anything.
My name is Hig, one name. Big Hig if you need another.
If I ever woke up crying in the middle of a dream, and I’m not saying I did, it’s because the trout are gone every one. Brookies, rainbows, browns, cutthroats, cutbows, every one.
The tiger left, the elephant, the apes, the baboon, the cheetah. The titmouse, the frigate bird, the pelican (gray), the whale (gray), the collared dove. Sad but. Didn’t cry until the last trout swam upriver looking for maybe cooler water.
Melissa, my wife, was an old hippy. Not that old. She looked good. In this story she might have been Eve, but I’m not Adam. I am more like Cain. They didn’t have a brother like me.
Did you ever read the Bible? I mean sit down and read it like it was a book? Check out Lamentations. That’s where we’re at, pretty much. Pretty much lamenting. Pretty much pouring our hearts out like water.
They said at the end it would get colder after it gets warmer. Way colder. Still waiting. She’s a surprise this old earth, one big surprise after another since before she separated from the moon who circles and circles like the mate of a shot goose.
No more geese. A few. Last October I heard the old bleating after dusk and saw them, five against the cold bloodwashed blue over the ridge. Five all fall, I think, next April none.
I hand pump the 100 low lead aviation gas out of the old airport tank when the sun is not shining, and I have the truck too that was making the fuel delivery. More fuel than the Beast can burn in my lifetime if I keep my sorties local, which I plan to, I have to. She’s a small plane, a 1956 Cessna 182, really a beaut. Cream and blue. I’m figuring I’m dead before the Beast gives up the final ghost. I will buy the farm. Eighty acres of bottomland hay and corn in a country where there is still a cold stream coming out of the purple mountains full of brookies and cuts.
Before that I will make my roundtrips. Out and back.
I have a neighbor. One. Just us at a small country airport a few miles from the mountains. A training field where they built a bunch of houses for people who couldn’t sleep without their little planes, the way golfers live on a golf course. Bangley is the name on the registration of his old truck, which doesn’t run anymore. Bruce Bangley. I fished it out of the glove box looking for a tire pressure gauge I could take with me in the Beast. A Wheat Ridge address. I don’t call him that, though, what’s the point, there’s only two of us. Only us for at least a radius of eight miles, which is the distance of open prairie to the first juniper woods on the skirt of the mountain. I just say, Hey. Above the juniper is oak brush then black timber. Well, brown. Beetle killed and droughted. A lot of it standing dead now, just swaying like a thousand skeletons, sighing like a thousand ghosts, but not all. There are patches of green woods, and I am their biggest fan. I root for them out here on the plain. Go Go Go Grow Grow Grow! That’s our fight song. I yell it out the window as I fly low over. The green patches are spreading year by year. Life is tenacious if you give it one little bit of encouragement. I could swear they hear me. They wave back, wave their feathery arms back and forth down low by their sides, they remind me of women in kimonos. Tiny steps or no steps, wave wave hands at your sides.
I go up there on foot when I can. To the greener woods. Funny to say that: not like I have to clear my calendar. I go up to breathe. The different air. It’s dangerous, it’s an adrenalin rush I could do without. I have seen elk sign. Not so old. If there are still elk. Bangley says no way. Way, but. Never seen one. Seen plenty deer. I bring the .308 and I shoot a doe and I drag her back in the hull of a kayak which I sawed the deck off so it’s a sled. My green sled. The deer just stayed on with the rabbits and the rats. The cheat grass stayed on, I guess that’s enough.
Before I go up there I fly it twice. One day, one night with the goggles. The goggles are pretty good at seeing down through trees if the trees aren’t too heavy. People make pulsing green shadows, even asleep. Better than not checking. Then I make a loop south and east, come back in from the north. Thirty miles out, at least a day for a traveler. That’s all open, all plains, sage and grass and rabbit brush and the old farms. The brown circles of fields like the footprint of a crutch fading into the prairie. Hedgerows and windbreaks, half the trees broken, blown over, a few still green by a seep or along a creek. Then I tell Bangley.
I cover the eight miles dragging the empty sled in two hours, then I am in cover. I can still move. It’s a long way back with a deer, though. Over open country. Bangley covers me from halfway out. We still have the handsets and they still recharge with the panels. Japanese built, good thing. Bangley has a .408 CheyTac sniper rifle set up on a platform he built. A rangefinder. My luck. A gun nut. A really mean gun nut. He says he can pot a man from a mile off. He has done. I’ve seen it more than once. Last summer he shot a girl who was chasing me across the open plain. A young girl, a scarecrow. I heard the shot, stopped, left the sled, went back. She was thrown back over a rock, a hole where her waist should have been, just about torn in half. Her chest was heaving, panting, her head twisted to the side, one black eye shiny and looking up at me, not fear, just like a question, burning, like of all things witnessed this one couldn’t be believed. Like that. Like fucking why?
That’s what I asked Bangley, fucking why.
She would have caught you.
So what? I had a gun, she had a little knife. To like protect her from me. She maybe wanted food.
Maybe. Maybe she’d slit your throat in the middle of the night.
I stared at him, his mind going that far, to the middle of the night, me and her. Jesus. My only neighbor. What can I say to Bangley? He has saved my bacon more times. Saving my bacon is his job. I have the plane, I am the eyes, he has the guns, he is the muscle. He knows I know he knows: he can’t fly, I don’t have the stomach for killing. Any other way probably just be one of us. Or none.
I also have Jasper, son of Daisy, which is the best last line of alarm.
So when we get sick of rabbits and sunfish from the pond, I get a deer. Mostly I just want to go up there. It feels like church, hallow and cool. The dead forest swaying and whispering, the green forest full of sighs. The musk smell of deer beds. The creeks where I always pray to see a trout. One fingerling. One big old survivor, his green shadow idling against the green shadows of the stones.
Eight miles of open ground to the mountain front, the first trees. That is our perimeter. Our safety zone. That is my job.
He can concentrate his firepower to the west that way. That’s how Bangley talks. Because it’s thirty miles out, high plains all other directions, more than a day’s walk, but just a couple of hours west to the first trees. The families are south ten miles but they don’t bother us. That’s what I call them. They are something like thirty Mennonites with a blood disease that hit after the flu. Like a plague but slow burning. Something like AIDS I think, maybe more contagious. The kids were born with it and it makes them all sick and weak and every year some die.
We have the perimeter. But if someone hid. In the old farmsteads. In the sage. The willows along a creek. Arroyos, too, with undercut banks. He asked me that once: how do I know. How do I know someone is not inside our perimeter, in all that empty country, hiding, waiting to attack us? But thing is I can see a lot. Not like the back of the hand, too simple, but like a book I have read and reread too many times to count, maybe like the Bible for some folks of old. I would know. A sentence out of place. A gap. Two periods where there should be one. I know.
I know, I think: if I am going to die—no If—it will be on one of these trips to the mountains. Crossing open ground with the full sled. Shot in the back with an arrow.
Bangley a long time ago gave me bulletproof, one of the vests in his arsenal. He has all kinds of shit. He said it’ll stop any handgun, an arrow, but with a rifle it depends, I better be lucky. I thought about that. We’re supposed to be the only two living souls but the families in at least hundreds of square miles, the only survivors, I better be lucky. So I wear the vest because it’s warm, but if it’s summer I mostly don’t. When I wear it, I feel like I’m waiting for something. Would I stand on a train platform and wait for a train that hasn’t come for months? Maybe. Sometimes this whole thing feels just like that. --טקסט זה מתייחס למהדורת kindle_edition חלופית.
Description:
NATIONAL BESTSELLER • From the author of The River : In this "end-of-the-world novel more like a rapturous beginning" ( San Francisco Chronicle), Hig somehow survived the flu pandemic that killed everyone he knows. His gripping story is "an ode to friendship between two men...the strong bond between a human and a dog, and a reminder of what is worth living for" ( Minneapolis Star-Tribune).
Hig's wife is gone, his friends are dead, and he lives in the hangar of a small abandoned airport with his dog, Jasper, and a mercurial, gun-toting misanthrope named Bangley.
But when a random transmission beams through the radio of his 1956 Cessna, the voice ignites a hope deep inside him that a better life exists outside their tightly controlled perimeter. Risking everything, he flies past his point of no return and follows its static-broken trail, only to find something that is both better and worse than anything he could ever hope for.
Look for Peter Heller's new novel, The Last Ranger , coming soon!
Amazon.com Review
Amazon Best Books of the Month, August 2012: Adventure writer Peter Heller's The Dog Stars is a first novel set in Colorado after a superflu has culled most of humanity. A man named Hig lives in a former airport community--McMansions built along the edge of a runway--which he shares with his 1956 Cessna, his dog, and a slightly untrustworthy survivalist. Hig spends his days flying the perimeter, looking out for intruders and thinking about the things he's lost: his deceased wife, the nearly extinct trout he loved to fish. When a distant beacon sparks in him the realization that something better might be out there, it's only a matter of time before he goes searching. Poetic, thoughtful, and transformative, this novel is a rare combination of literary and highly readable. -- Chris Schluep
Amazon Exclusive: Author Peter Heller on the Star of The Dog Stars
The inspiration for Jasper, a Blue Heeler mix, who is an integral part of this novel.
Our Hero, Hig, lives at a little country airstrip which he shares with his beloved blue heeler Jasper, and a mean gun nut named Bangley. It's nine years after a super-flu has killed 99.7% of the people on the planet. Hig sleeps out under the open sky at night with Jasper. He does it because he loves to see the stars, and because it's safer: if marauders come he won't be trapped in one of the nearby houses.
He used to have a book of the stars, but now he doesn't, so when he's lying out at night he makes up constellations. Mostly they are animals, and he makes one for his best friend Jasper. The Dog Stars. It's Hig's way of reinventing the lost world, and keeping in touch with the things he loves.
Jasper, to me, is the star of the book. He is fiercely loyal, and he gives Hig something to live for when there is not much else to hold on to.
Review
A San Francisco Chronicle and Atlantic Monthly Best Book of the Year
“Extraordinary. . . . One of those books that makes you happy for literature.” —Junot Díaz, The Wall Street Journal
“This end-of-the-world novel [is] more like a rapturous beginning. . . . Remarkable.” — San Francisco Chronicle
“For all those who thought Cormac McCarthy’s The Road the last word on the post-apocalyptic world—think again. . . . Make time and space for this savage, tender, brilliant book.” —Glen Duncan, author of The Last Werewolf
“Heart-wrenching and richly written. . . . The Dog Stars is a love story, but not just in the typical sense. It’s an ode to friendship between two men, a story of the strong bond between a human and a dog, and a reminder of what is worth living for.” — Minneapolis Star-Tribune
“A dreamy, postapocalyptic love letter to things of beauty, big and small.” –Gillian Flynn, author of Gone Girl
"Heartbreaking" — The Seattle Times
“A brilliant success.” — The New Yorker
“Beautifully written and morally challenging” – The Atlantic Monthly
“A book that rests easily on shelves with Dean Koontz, Jack London or Hemingway." — The Missourian
"Dark, poetic, and funny." —Jennifer Reese, NPR
“Terrific. . . . Recalling the bleakness of Cormac McCarthy and the trout-praising beauty of David James Duncan, The Dog Stars makes a compelling case that the wild world will survive the apocalypse just fine; it’s the humans who will have the heavy lifting.” — Outside
“A post-apocalyptic adventure novel with the soul of haiku.” — The Columbus Dispatch
“An elegy for a lost world turns suddenly into a paean to new possibilities. In The Dog Stars , Peter Heller serves up an insightful account of physical, mental, and spiritual survival unfolded in dramatic and often lyrical prose.” — The Boston Globe
“Take the sensibility of Hemingway. Or James Dickey. Place it in a world where a flu mutation has wiped out ninety-nine percent of the population. Add in a heartbroken man with a fishing rod, some guns, a small plane. Don’t forget the dog. Now imagine this man retains more hope than might be wise in such a battered and brutal time. More trust. More hunger for love—more capacity for it, too. That’s what Peter Heller has given us in his beautifully written first novel.” —Scott Smith, author of A Simple Plan and The Ruins
“With its evocative descriptions of hunting, fishing, and flying, [ The Dog Stars ], perhaps the world’s most poetic survival guide, reads as if Billy Collins had novelized one of George Romero’s zombie flicks.” — Publishers Weekly (starred)
“ The Dog Stars can feel less like a 21st-century apocalypse and more like a 19th-century frontier narrative (albeit one in which many, many species have become extinct). There are echoes of Grizzly Adams or Jeremiah Johnson in scenes where Heller lingers on the details of how the water in a flowing stream changes color as the sun moves across the sky.” — The Dallas Morning News
“Full of action and hope…. One you’ll not soon forget.” — The Oklahoman
“A heavenly book, a stellar achievement by a debut novelist that manages to combine sparkling prose with truly memorable, shining, characters.” — The New York Journal of Books
“Gruff, tormented and inspirational, Heller has the astonishing ability to make you laugh, cringe and feel ridiculously vulnerable throughout the novel that will have you rereading certain passages with a hard lump in the pit of your stomach. One of the most powerful reads in years.” — Playboy
“ The Dog Stars is a wholly compelling and deeply engaging debut.” —Pam Houston, author of Contents May Have Shifted
“Beautiful, haunting and hopeful. . . . Makes your breath catch and your heart ache.” — Aspen Daily News
“At times funny, at times thrilling, at times simply heartbreaking and always rich with a love of nature, The Dog Stars finds a peculiar poetry in deciding that there’s really no such thing as the end of the world—just a series of decisions about how we live in whatever world we’ve got.” — Salt Lake City Weekly
“What separates Heller’s book from other End of Days stories is that it doesn’t rely on the thematic fail-safes to tell the story— The Dog Stars is quite simply the story of what it’s like to be alonet.” — The Stranger
“Proves a truth we know from our everyday nonfictional lives: Even when it seems like all the humans in the world are only out for themselves, there are always those few who prove you absolutely wrong—in the most surprising of ways.” —Oprah.com
“Heller has created a heartbreakingly moving love story. . . . It’s an ode to what we’ve lost so far, and how we risk losing everything.” — Cincinnati City Beat
“A stunning, hope-riddled end-of-the-world story. . . . Bound to become a classic.” — Flavorwire
“Heller’s writing gives you a heartbreaking jolt, like a sudden wakening from a dream.” — The Seattle Times
“Heller is a masterful storyteller and The Dog Stars is a beautiful tribute to the resilience of nature and the relentless human drive to find meaning and deep connections with life and the living.” —Julianna Baggott, author of Pure
“Terrific . . . With echoes of Moby Dick, The Dog Stars . . . brings Melville’s broad, contemplative exploration of good and evil to his story.” — Shelf Awareness
“Heller’s surprising and irresistible blend of suspense, romance, social insight, and humor creates a cunning form of cognitive dissonance neatly pegged by Hig as an ‘apocalyptic parody of Norman Rockwell’—a novel, that is, of spiky pleasure and signal resonance.” — Booklist (starred)
From AudioFile
Review
“Leave it to Peter Heller to imagine a post-apocalyptic world that contains as much loveliness as it does devastation. His likable hero, Hig, flies around what was once Colorado in his 1956 Cessna, chasing all the same things we chase in these pre-annihilation days: love, friendship, the solace of the natural world, the chance to perform some small kindness, and a good dog for a co-pilot. The Dog Stars is a wholly compelling and deeply engaging debut.” —Pam Houston, author of Contents May Have Shifted
“Take the sensibility of Hemingway. Or James Dickey. Place it in a world where a flu mutation has wiped out ninety-nine percent of the population. Add in a heartbroken man with a fishing rod, some guns, a small plane. Don't forget the dog. Now imagine this man retains more hope than might be wise in such a battered and brutal time. More trust. More hunger for love—more capacity for it, too. That's what Peter Heller has given us in his beautifully written first novel. The Dog Stars is a gripping tale of one man's fight for survival against impossibly long odds. A man who has lost nearly everything but his soul. And what's so moving about Heller's book is that he shows us how sometimes a big soul is the only thing a man needs: the keystone, the center pillar, the hunk of masonry upon which all else will rise or fall.” —Scott Smith, author of A Simple Plan and The Ruins
“Heller is a masterful storyteller and The Dog Stars is a beautiful tribute to the resilience of nature and the relentless human drive to find meaning and deep connections with life and the living. In this chillingly realistic post-apocalyptic setting, readers will root for Heller's characters and be moved by their toughness as well as their tenderness.” —Julianna Baggott, author of Pure
“ The Dog Stars is a giant of a novel that goes about its profound business with what looks alarmingly like ease. For all those who thought Cormac McCarthy's The Road the last word on the post-apocalyptic world—think again. Peter Heller has dark and glittering news from the future, and delivers it in prose that stops you like a wolf in the snow. Make time and space for this savage, tender, brilliant book.” —Glen Duncan, author of The Last Werewolf and Talulla Rising --טקסט זה מתייחס למהדורת kindle_edition חלופית.
About the Author
PETER HELLER is the best-selling author of three novels, including The Painter and Celine. He holds an MFA from the Iowa Writers' Workshop in both fiction and poetry. An award-winning adventure writer and a longtime contributor to NPR, Heller is a contributing editor at Outside magazine, Men's Journal , and National Geographic Adventure , and a regular contributor to Bloomberg Businessweek. He is also the author of several nonfiction books, including Kook,The Whale Warriors , and Hell or High Water: Surviving Tibet's Tsangpo River. He lives in Denver, Colorado.
--טקסט זה מתייחס למהדורת kindle_edition חלופית.
Excerpt. © Reprinted by permission. All rights reserved.
i
I keep the Beast running, I keep the 100 low lead on tap, I foresee attacks. I am young enough, I am old enough. I used to love to fish for trout more than almost anything.
My name is Hig, one name. Big Hig if you need another.
If I ever woke up crying in the middle of a dream, and I’m not saying I did, it’s because the trout are gone every one. Brookies, rainbows, browns, cutthroats, cutbows, every one.
The tiger left, the elephant, the apes, the baboon, the cheetah. The titmouse, the frigate bird, the pelican (gray), the whale (gray), the collared dove. Sad but. Didn’t cry until the last trout swam upriver looking for maybe cooler water.
Melissa, my wife, was an old hippy. Not that old. She looked good. In this story she might have been Eve, but I’m not Adam. I am more like Cain. They didn’t have a brother like me.
Did you ever read the Bible? I mean sit down and read it like it was a book? Check out Lamentations. That’s where we’re at, pretty much. Pretty much lamenting. Pretty much pouring our hearts out like water.
They said at the end it would get colder after it gets warmer. Way colder. Still waiting. She’s a surprise this old earth, one big surprise after another since before she separated from the moon who circles and circles like the mate of a shot goose.
No more geese. A few. Last October I heard the old bleating after dusk and saw them, five against the cold bloodwashed blue over the ridge. Five all fall, I think, next April none.
I hand pump the 100 low lead aviation gas out of the old airport tank when the sun is not shining, and I have the truck too that was making the fuel delivery. More fuel than the Beast can burn in my lifetime if I keep my sorties local, which I plan to, I have to. She’s a small plane, a 1956 Cessna 182, really a beaut. Cream and blue. I’m figuring I’m dead before the Beast gives up the final ghost. I will buy the farm. Eighty acres of bottomland hay and corn in a country where there is still a cold stream coming out of the purple mountains full of brookies and cuts.
Before that I will make my roundtrips. Out and back.
I have a neighbor. One. Just us at a small country airport a few miles from the mountains. A training field where they built a bunch of houses for people who couldn’t sleep without their little planes, the way golfers live on a golf course. Bangley is the name on the registration of his old truck, which doesn’t run anymore. Bruce Bangley. I fished it out of the glove box looking for a tire pressure gauge I could take with me in the Beast. A Wheat Ridge address. I don’t call him that, though, what’s the point, there’s only two of us. Only us for at least a radius of eight miles, which is the distance of open prairie to the first juniper woods on the skirt of the mountain. I just say, Hey. Above the juniper is oak brush then black timber. Well, brown. Beetle killed and droughted. A lot of it standing dead now, just swaying like a thousand skeletons, sighing like a thousand ghosts, but not all. There are patches of green woods, and I am their biggest fan. I root for them out here on the plain. Go Go Go Grow Grow Grow! That’s our fight song. I yell it out the window as I fly low over. The green patches are spreading year by year. Life is tenacious if you give it one little bit of encouragement. I could swear they hear me. They wave back, wave their feathery arms back and forth down low by their sides, they remind me of women in kimonos. Tiny steps or no steps, wave wave hands at your sides.
I go up there on foot when I can. To the greener woods. Funny to say that: not like I have to clear my calendar. I go up to breathe. The different air. It’s dangerous, it’s an adrenalin rush I could do without. I have seen elk sign. Not so old. If there are still elk. Bangley says no way. Way, but. Never seen one. Seen plenty deer. I bring the .308 and I shoot a doe and I drag her back in the hull of a kayak which I sawed the deck off so it’s a sled. My green sled. The deer just stayed on with the rabbits and the rats. The cheat grass stayed on, I guess that’s enough.
Before I go up there I fly it twice. One day, one night with the goggles. The goggles are pretty good at seeing down through trees if the trees aren’t too heavy. People make pulsing green shadows, even asleep. Better than not checking. Then I make a loop south and east, come back in from the north. Thirty miles out, at least a day for a traveler. That’s all open, all plains, sage and grass and rabbit brush and the old farms. The brown circles of fields like the footprint of a crutch fading into the prairie. Hedgerows and windbreaks, half the trees broken, blown over, a few still green by a seep or along a creek. Then I tell Bangley.
I cover the eight miles dragging the empty sled in two hours, then I am in cover. I can still move. It’s a long way back with a deer, though. Over open country. Bangley covers me from halfway out. We still have the handsets and they still recharge with the panels. Japanese built, good thing. Bangley has a .408 CheyTac sniper rifle set up on a platform he built. A rangefinder. My luck. A gun nut. A really mean gun nut. He says he can pot a man from a mile off. He has done. I’ve seen it more than once. Last summer he shot a girl who was chasing me across the open plain. A young girl, a scarecrow. I heard the shot, stopped, left the sled, went back. She was thrown back over a rock, a hole where her waist should have been, just about torn in half. Her chest was heaving, panting, her head twisted to the side, one black eye shiny and looking up at me, not fear, just like a question, burning, like of all things witnessed this one couldn’t be believed. Like that. Like fucking why?
That’s what I asked Bangley, fucking why.
She would have caught you.
So what? I had a gun, she had a little knife. To like protect her from me. She maybe wanted food.
Maybe. Maybe she’d slit your throat in the middle of the night.
I stared at him, his mind going that far, to the middle of the night, me and her. Jesus. My only neighbor. What can I say to Bangley? He has saved my bacon more times. Saving my bacon is his job. I have the plane, I am the eyes, he has the guns, he is the muscle. He knows I know he knows: he can’t fly, I don’t have the stomach for killing. Any other way probably just be one of us. Or none.
I also have Jasper, son of Daisy, which is the best last line of alarm.
So when we get sick of rabbits and sunfish from the pond, I get a deer. Mostly I just want to go up there. It feels like church, hallow and cool. The dead forest swaying and whispering, the green forest full of sighs. The musk smell of deer beds. The creeks where I always pray to see a trout. One fingerling. One big old survivor, his green shadow idling against the green shadows of the stones.
Eight miles of open ground to the mountain front, the first trees. That is our perimeter. Our safety zone. That is my job.
He can concentrate his firepower to the west that way. That’s how Bangley talks. Because it’s thirty miles out, high plains all other directions, more than a day’s walk, but just a couple of hours west to the first trees. The families are south ten miles but they don’t bother us. That’s what I call them. They are something like thirty Mennonites with a blood disease that hit after the flu. Like a plague but slow burning. Something like AIDS I think, maybe more contagious. The kids were born with it and it makes them all sick and weak and every year some die.
We have the perimeter. But if someone hid. In the old farmsteads. In the sage. The willows along a creek. Arroyos, too, with undercut banks. He asked me that once: how do I know. How do I know someone is not inside our perimeter, in all that empty country, hiding, waiting to attack us? But thing is I can see a lot. Not like the back of the hand, too simple, but like a book I have read and reread too many times to count, maybe like the Bible for some folks of old. I would know. A sentence out of place. A gap. Two periods where there should be one. I know.
I know, I think: if I am going to die—no If—it will be on one of these trips to the mountains. Crossing open ground with the full sled. Shot in the back with an arrow.
Bangley a long time ago gave me bulletproof, one of the vests in his arsenal. He has all kinds of shit. He said it’ll stop any handgun, an arrow, but with a rifle it depends, I better be lucky. I thought about that. We’re supposed to be the only two living souls but the families in at least hundreds of square miles, the only survivors, I better be lucky. So I wear the vest because it’s warm, but if it’s summer I mostly don’t. When I wear it, I feel like I’m waiting for something. Would I stand on a train platform and wait for a train that hasn’t come for months? Maybe. Sometimes this whole thing feels just like that. --טקסט זה מתייחס למהדורת kindle_edition חלופית.