'This is one gorgeous read.' Stephen King 

It is 1945 and Barcelona is enduring the long aftermath of civil war when Daniel Sempere’s bookseller father decides his son is old enough to visit the secret Cemetery of Forgotten Books. There Daniel must ‘adopt’ a single book, promising to care for it and keep it alive always. His choice falls on The Shadow of the Wind.

Bewitched, he embarks on an epic quest to find the truth about Julian Carax, the book’s mysterious author. Soon Daniel is consumed by strange discoveries about love and obsession, art and life, and how they become entangled within the shadow world of books.

The Shadow of the Wind is a mesmerising love story and literary thriller, which twists and turns and enthralls with its cast of vengeful souls, threatening spectres and innocent hearts.

Carlos Ruiz Zafón was born in Barcelona in 1964 and attended university there. He worked as a screenwriter in Los Angeles for ten years before the publication of his fifth book, The Shadow of the Wind, in 2001. It has been translated into over 40 languages and was a finalist for the Premio Fernando Lara. Ruiz Zafón is now a full-time novelist and regular contributor to the newspapers El Pais, La Vanguardia and El Mundo. He lives in Barcelona.

‘Atmospheric, beguiling and thoroughly readable.’ Observer

‘A popular masterpiece, an instant classic.’ Daily Telegraph

‘Utterly unputdownable.’ Australian

‘Wondrous…intended for readers as passionate about storytelling as its young hero.’ Who Weekly

‘An intoxicating and thoroughly irresistible mix of romance, mystery, gothic horror and melodrama.’ Vogue

‘I’d like to say more about this superbly entertaining book but don’t dare to hint any more about its plot twists. Suffice it to say…anyone who enjoys novels that are scary, erotic, touching, tragic and thrilling should rush right out to the nearest bookstore and pick up The Shadow of the Wind. Really, you should.’ Washington Post

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From Publishers Weekly

Ruiz Zafón's novel, a bestseller in his native Spain, takes the satanic touches from Angel Heart and stirs them into a bookish intrigue à la Foucault's Pendulum. The time is the 1950s; the place, Barcelona. Daniel Sempere, the son of a widowed bookstore owner, is 10 when he discovers a novel, The Shadow of the Wind, by Julián Carax. The novel is rare, the author obscure, and rumors tell of a horribly disfigured man who has been burning every copy he can find of Carax's novels. The man calls himself Laín Coubert-the name of the devil in one of Carax's novels. As he grows up, Daniel's fascination with the mysterious Carax links him to a blind femme fatale with a "porcelain gaze," Clara Barceló; another fan, a leftist jack-of-all-trades, Fermín Romero de Torres; his best friend's sister, the delectable Beatriz Aguilar; and, as he begins investigating the life and death of Carax, a cast of characters with secrets to hide. Officially, Carax's dead body was dumped in an alley in 1936. But discrepancies in this story surface. Meanwhile, Daniel and Fermín are being harried by a sadistic policeman, Carax's childhood friend. As Daniel's quest continues, frightening parallels between his own life and Carax's begin to emerge. Ruiz Zafón strives for a literary tone, and no scene goes by without its complement of florid, cute and inexact similes and metaphors (snow is "God's dandruff"; servants obey orders with "the efficiency and submissiveness of a body of well-trained insects"). Yet the colorful cast of characters, the gothic turns and the straining for effect only give the book the feel of para-literature or the Hollywood version of a great 19th-century novel.
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From Booklist

Call it the "book book" genre: this international sensation (it has sold in more than 20 countries and been number one on the Spanish best-seller list), newly translated into English, has books and storytelling--and a single, physical book--at its heart. In post-World War II Barcelona, young Daniel is taken by his bookseller father to the Cemetery of Forgotten Books, a massive sanctuary where books are guarded from oblivion. Told to choose one book to protect, he selects The Shadow of the Wind, by Julian Carax. He reads it, loves it, and soon learns it is both very valuable and very much in danger because someone is determinedly burning every copy of every book written by the obscure Carax. To call this book--Zafon's Shadow of the Wind-- old-fashioned is to mean it in the best way. It's big, chock-full of unusual characters, and strong in its sense of place. Daniel's initiation into the mysteries of adulthood is given the same weight as the mystery of the book-burner. And the setting--Spain under Franco--injects an air of sobriety into some plot elements that might otherwise seem soap operatic. Part detective story, part boy's adventure, part romance, fantasy, and gothic horror, the intricate plot is urged on by extravagant foreshadowing and nail-nibbling tension. This is rich, lavish storytelling, very much in the tradition of Ross King's Ex Libris (2001). Keir Graff
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